Jack Foran reviews Philip Stearn's installation.
Read what Colin Dabkowski wrote in The Buffalo News.
Although each artist’s style and technique may be in a constant state of evolution, it’s always interesting to examine the path of refinement and skill development each one has decided to explore.
The current art of Charles Burchfield display at the Burchfield Penney gets to the originality of this great watercolorist, the special visual language he invented to represent things invisible. Sounds and even smells most notably, material invisibles. But extending also to spiritual content, immaterial invisibles.
Phillip David Stearns illuminates Burchfield Penney with a captivating installation: Phillip David Stearns illuminates Burchfield with elegant exhibit by Joseph DiDomizio.
Levy’s paintings depict Buffalo on the rise bu Colin Dabkowski
Have you ever felt out of place? Like you didn’t belong? Do you think art sometimes doesn’t make sense?
Unlike most watercolor works of art, Ross Barbera uses what is considered a light and liquid medium on hard, raw surfaces.
Attending the International Visual Literacy Conference at the Toledo Museum of Art was an inspiring experience, the museum is a gem. Entering buildings designed by architects Frank O. Gehry, the auditorium by Edward B. Green, and the glass pavilion by Kazuyo Sejima, transformed the experience of looking at art.
While looking at Morris Graves/Rain, the viewer is transported into the scene feeling the pouring rain. Kay Russell is a watercolorist and retired professor at the City College of San Francisco.