Bruce Adams (1952-2021), Roland W. Brown and Neil M. Judd Examine a Tiny Section of the Image, Enlarged 32,000 times, 1994; acrylic on canvas, 54 x 66 inches; image courtesy of the Burchfield Penney Archive
Bruce Adams (1952-2021), Research and Development # 1 and 2, 1994; acrylic and mixed media on paper polyptych, Each: 30 x 22 inches. Overall 62 x 94 inches; image courtesy of the Burchfield Penny Archive
Bruce Adams (1952-2021), Research and Development # 5 and 6, 1994; acrylic and mixed media on paper polyptych, Each: 30 x 22 inches. Overall 62 x 94 inches; image courtesy of the Burchfield Penny Archive
Bruce Adams (1952-2021), Research and Development # 7 and 8, 1994; acrylic and mixed media on paper polyptych, Each: 30 x 22 inches. Overall 62 x 94 inches; image courtesy of the Burchfield Penny Archive
Bruce Adams (1952-2021), Quills – A response to Edreys Wajed, 2020; Courtesy of the artist
Bruce Adams, Simulate Direct Experience with Freeing Marks, 2001-2006; oil on canvas, 40 x 34 inches; Courtesy of the Bruce Adams Estate
Bruce Adams (1952-2021), Technology Greeting The People, 1984; acrylic paint on unstretched canvas, 111 x 64 inches; Courtesy of the Bruce Adams Estate
Bruce Adams (1952-2021), Shots, 1984; acrylic paint on unstretched canvas, 64 x 72 inches; Courtesy of the Bruce Adams Estate
Bruce Adams (1952-2021), Neo Geology, 1985; acrylic paint on unstretched canvas, 78 x 77 inches; Courtesy of the Bruce Adams Estate
Bruce Adams (1952-2021), Cultural Exchange, 1984; mixed media on canvas, 58 x 80 inches; Courtesy of the Bruce Adams Estate
