Damario Burks, Ponte Inferno, 2016, inspired by Burchfield's reflection of the house withholding the flames
Ashi Doeman, Girl on Fire, 2016, inspired by Burchfiled's half constructed house with small flames
Airi Kohlbach, Four Seasons, 2016, inspired by Burchfield's color and transformation of seasons
Felecia Malcolm, March Sunlight, 2016, inspired by Burchfield's colorful trees
Laura Roberts, Sunburst, 2016, inspired by Burchfield's dark clouds and the sun rays peeking through
Shannon Stacy, Deserted Miner's Home, 2016, inspired by Burchfield's trees that seem to be alive with movement and a personality
Rachel Steinmetz, New Moon, 2016, inspired by Burchfield's color pallet with billowing clouds and dark colors accompanied by a striking sunset
Charles E. Burchfield (1893-1967), The Dying Embers of Autumn, 1963; watercolor on paper, 36 x 45 inches; Image courtesy of the Burchfield Penney Art Center Archives
Scott Bye, Trifecto, 2011; wood pallets, 10 x 12 x 10 feet; Image courtesy of the artist
Scott Bye , The toast is to Tall for Short Men, 2010; wood, found objects; Image courtesy of the artist