In 1902, Charles Cary Rumsey went to Paris, a city that contains a wealth of bronze sculptures by French artists known as "animaliers" for their spirited depictions of animals. Their Beaux-Arts era work epitomized a romantic sense of naturalism through movement, conflict, and the picturesque. Although Rumsey sculpted many different animals, he had a special affinity for portraying horses. This exhibition explored Rumsey's style, from its animalier roots to horse portraits and equestrian works.