Artwork

Phyllis Thompson, Retreat from the City, 2018; mixed media monotype, 20 x 16 ¾ inches; Courtesy of the artist

Wendy Caldwell Maloney, Falling Into Place, 2017; pastel on paper, 28 x 34 inches; Courtesy of the artist

Charles E. Burchfield (1893-1967), Wild Bleeding Hearts, 1961; watercolor on paper, 39 1/4 x 32 1/4 inches; Image courtesy of the Burchfield Penney Art Center, Charles E. Burchfield Archives

Charles E. Burchfield (1893-1967), Winter, 1930-43; watercolor on joined paper mounted on board, 34 x 54 inches; Image courtesy of the Burchfield Penney Art Center, Charles E. Burchfield Archives

Charles E. Burchfield (1893-1967), New Moon in Winter, 1935; charcoal and black chalk on cream wove paper, pieced and mounted on board, 21.9 x 47.5 cm.; Princeton University Museum of Art, Gift of Leonard L. Milberg, Class of 1953, in honor of John Wilmerding, Christopher B. Sarofim '86 Professor of American Art, Princeton University (2002-363)

Charles E. Burchfield (1893-1967), Sun and Cobwebs, 1949; pen and black and gray ink over graphite on paper, 27.8 x 43.6 cm.; Princeton University Museum of Art, Gift of William M. Milliken, Class of 1911, in memory of his brother, H. Oothout Milliken, Class of 1905

Charles E. Burchfield (1893-1967), Over the Creek at Twilight, 1939; Watercolor on wove paper, 40.0 x 55.0 cm.; Princeton University Museum of Art, Laura P. Hall Memorial Collection

HyeSook Choi , A Relic of the early 21st Century; the Remnants of High Heels, 2016; glass, metal, 7 x 3 x 6 inches (each heel); Image courtesy of the artist