Diego Rivera (1886 -1957), The Man, Costume Design for the ballet H.P. (Horsepower), ca. 1931; ink, watercolor, and pencil on paper, 13 7/8 x 9 3/4 in.; The Museum of Modern Art, NY. Gift of Abby Aldrich Rockefeller, 1941
Dorothy Brett (1883-1977), Turtle Dance, 1947; oil on canvas, 28 x 47 inches; Courtesy of Millicent Rogers Museum
Pop Chalee (Blue Flower), Merina Lujan (Taos Pueblo, 1906-1993), My Wild Horses, undated; watercolor and pencil on paper, 13 x 19 in.; Courtesy of the Millicent Rogers Museum
John Marin (1870-1953), Taos Landscape, 1929; watercolor and charcoal on paper, 15 1/4 x 20 1/2 in.; The Tia Collection, Santa Fe, NM
Agnes Pelton (1881-1961), The Voice, originally titled The Voice of Silence, 1930; oil on canvas, 26 x 21 in.; Bequest of Raymond Jonson, Raymond Jonson Collection, University of New Mexico Art Museum, Albuquerque
Barbara Morgan (1901-1962), Martha Graham, El Penitente (Eric Hawkins as El Flagellante), 1940; Gelatin silver print (printed 1972), 18 5/8 x 14 3/8 in.; University Art Museum, University of New Mexico, Albuquerque, Gift of Joan and Van Deren Coke
Oscar Bluemner (1867-1938), Approaching Black, 1932; Casein-oil-resin emulsion and watercolor on paper mounted to millboard, 31 5/8 x 40 x 2 1/4 inches; Courtesy of Karen and Kevin Kennedy
Oscar Bluemner (1867-1938), Study for Black by Gold, 1934; Gouache, watercolor, and graphite under-drawing on white wove paper, laid down to illustration board, 15 1/2 x 17 inches; Courtesy of Karen and Kevin Kennedy
Oscar Bluemner (1867-1938), Silver Lake at Erie and Canal, 1919; Watercolor and graphite on paper, 13 x 14 inches; Courtesy of Karen and Kevin Kennedy
Oscar Bluemner (1867-1938), Untitled (Red House by a River), 1929; Gouache on paper, 14 5/8 x 16 1/2 x 2 inches; Courtesy of Karen and Kevin Kennedy