Paul Sharits (1943-1993)

Sharits

Dec. Mode p2

“With colors, therefore, in reciprocal relationships with each other within space and over time, Sharits creates new hues not actually present upon the film through their co-temporal blending and through after-image retention.

“It’s a complex phenomenon that yields sublime transitions across a spectral range, while the inner frame pulses with illusionistic movement as the hues change from warm to cool.”—Anthony Bannon, Buffalo Evening News

“This work was made possible by a Bicentennial Grant by the N.E.A. and the N.Y. State Council on the Arts.”—P.S.