Paul Sharits (1943-1993)

-2- desert sah Is. Duncan ---> great Mexican desert “studies

These years 1969-1978 strongest concern with the film strip ribbon (to me a sort of metaphor of a river, a meta-river).

However, in ^bicentinneal project dec. mode ^began in 1976, altho

apparently pure ^blank color                                                               Fire>1971

“abst”, actually a sort of narrative                                                      clouds  >

                                                                                                            Water/rocks>Artpk 1975

with ^many passages

concerning external envia, from Lillian Mak’s

wild cacti-veg-flower garden on mntside over/king sea in Hydra, Greece to a approx section based on a rocky mnt peak panorama viewed from my temporary quarters on mtnside above

New nomadic In progress pure color in real life nomadic narratic, notations for 30-40 hours           endless PASSAGES                                                                                        ^                                  innumerable passages for instance, a

Long appro 30 min hymn to Isadora D.

Based on dune struct and wind blown sand veils

While roaming around Tiresias                                                                                   ^

Sahara 3 days on camel with young

Guid amor oct 1979—soon visit the Great

Mexican Desert                                                                                                           ^

1 ½ hours formally scored and to be soon

            realized on new eruption interface

pure color generating camera device

w. vasulka interfaced with computer which will

digitally transform my score into 16 mm film