Paul Sharits (1943-1993)

* the sternity of my child space/ rocky int? rivers/fishing
                                  ^elation                                  (physical maps)

David Saxe            348-6054
5007 Arundel Dr.
Woodland Hills

re: presentation/ re: guard rear: presence/ i am awkwardlly effected stunned with this mess which is my mind/ "something"              (stunted?)  seems to suggest itself, a sort of clarity which might cut thru the ambivalence, the conflicts of "irony: obviousness", the constant fluctuation of moods which, one after the other, seem to *justify everything-anything-nothing, a steady-state of depressive elation/ but even the word "c-l-a-r-i-t-y already  begins to dissolve, as it stears to me this moment, into individual letters, non-connected particularized grunts, stuttering...gone!

chuck berry          "go-go-go"            cluster of blisters rotting away inside my skull

* works are too full of "psychological" "implications" i'd like a more "honest" process hood" or some such thing) but my "emotions" keep getting in the way + the works get "cluttered up" with antidotes, personal whine, didactives,
my hopeless love of boucher's precious extravagence, the appeal of IBM offices, tractors pushing gravel, Rococo hot dog stands in the midwest encrusted with shiny posters, mud-splashed dodge darts, planes leaving the earth, reflections on how to draft a letter to a new friend superimposed with thoughts of unpaid bills, grasping toward order, giving up the thought, going, finally, to sleep, each night

FROM: ABOUT' the mind (with protagonist) / ABOUT' the mind but overlogged with percepts (immediate as presented evidence of the protagonist: author as protagonist)-- Alter directly the mind, directed to --> Act of filming, subject still-->Film AS RESULT OF FLMKR ACTING UPON FILMING     FILM ABOUT ARTIST
                                                                                                                            ARTIST ABOUT FILM