1982
hand-built stoneware with Maria glaze, reduction fired
6 1/2 x 10 x 10 inches
The Charles Rand Penney Collection of Craft Art, 1994
Admiring smooth bedrock formations along the Oregoncoast, Shaner translated this simplicity into drape molded pots that he called “pillow forms.” He contrasted the visually soft character of the pot body by cutting distinctive patterns into the top. He said, “By cutting geometric openings, the inside became important…. I liked the contrast of the strength of the geometry of the opening with the softness of the organic form. The space around the pot became as important as the form of the pot.” Later he added thrown cylinders on top and called them Chimney forms.
Keenly attuned to nature, the artist drew connections between life and art, stating: “My pots are not about risk taking. They are about serenity—clarity—simplicity. Some people like to climb mountains, I like to walk through meadows of wildflowers.”