Artwork

Wilbur H. Porterfield (1873-1958), untitled, n.d.; silver print, sight: 7 1/2 x 9 1/8 inches; framed 13 1/4 x 15 1/4 x 7/8 inches; Burchfield Penney Art Center, Gift of Scott Goldman, D.M.D. and Nancy Brock, 2017

Volney Allan Richardson (1880-1955), Untitled, n.d.; oil on canvas, 20 x 22 inches; frame: 24 1/2 x 26 inches; Burchfield Penney Art Center, Gift of Scott Goldman, D.M.D. and Nancy Brock, 2017

Sandra Matthews , From the “Model Home” series, 2017; color digital inkjet print, image: 4 ¾ x 8 7/16 inches; paper: 8 ½ x 11 inches; Burchfield Penney Art Center, Gift of the artist in honor of Tony Bannon, 2017

Sandra Matthews , From the “Model Home” series, 2017; color digital inkjet print, image: 5 1/8 x 8 7/16 inches; paper: 8 ½ x 11 inches; Burchfield Penney Art Center, Gift of the artist in honor of Tony Bannon, 2017

Sandra Matthews , From the “Model Home” series, 2017; color digital inkjet print, image: 5 1/16 x 8 7/16 inches; paper: 8 ½ x 11 inches; Burchfield Penney Art Center, Gift of the artist in honor of Tony Bannon, 2017

Martha Visser't Hooft (1906-1994), Untitled, 1946; oil on canvas, 28 1/8 x 35 7/8 inches; Burchfield Penney Art Center, Purchase with funds from John and Carol Kociela, 2017

Jeanette M Schneider, Sisters I, 1995–1996; archival print, sight: 9 1/8 x 6 3/8 inches; frame: 15 3/8 x 12 1/4 x 3/4 inches; Burchfield Penney Art Center, Gift of Thomas A. Jambro, 2017

Silver Crest, part of Smith Metal Arts Company founded in 1919, Bud vase pattern number 2022, early 20th century; “Gold incrusted bronze” and green glass, 13 inches high x 4 1/2 inches in diameter includes 5" high glass; Burchfield Penney Art Center, Gift of Scott Goldman, D.M.D., and Nancy Brock, 2017

John McIvor (1931-2011), Friends of River, 1975; serigraph, 11/40, sight: 41 x 30 3/8 inches; frame: 44 ¼ x 33 ¼ x 1 ½ inches; Burchfield Penney Art Center, Gift of Reine Hauser, 2017

Harold Altman , Untitled, 1959; pencil on paper, 8 5/8 x 11 inches; frame: 14 x 19 x 1 ¼ inches; Burchfield Penney Art Center, Gift of Reine Hauser, 2017