Mike Glier (b. 1953), August 7, 2017, Swallows and Darkening Sky, Oudolf Field, Bruton, England, 61ºF, August 7, 2017; pencil on paper, plein air, 23” x 30”; Courtesy of Krakow Witkin Gallery, Boston
Mike Glier (b. 1953), A Grammar of Animacy v.7, 2021; pencil on Arches watercolor paper, 22 ½” x 30”; Courtesy of Downing Yudain, North Stamford, CT
Mike Glier (b. 1953), Approaching Humidity, Tesuque 76º, 2018; pencil on paper, 11” x 14”; Courtesy of Krakow Witkin Gallery, Boston
Mike Glier (b. 1953), The Sound of Wind in My Ears, 2015; pencil on paper, 12” x 9”; Courtesy of Krakow Witkin Gallery, Boston
Mike Glier (b. 1953), Farm Dogs Barking at a Distance, 2020; pencil on paper, 11” x 14”; Courtesy of Krakow Witkin Gallery, Boston
Mike Glier (b. 1953), Squirrel Noise, Scolding, 2020; pencil on paper, 12” x 9”; Courtesy of Krakow Witkin Gallery, Boston
Mike Glier (b. 1953), Plaintive. Two Beat Whistle of a Chickadee, 2020; pencil on paper, 12” x 9”; Courtesy of Krakow Witkin Gallery, Boston
Mike Glier (b. 1953), Woodpecker Drumming, 2021; pencil on Arches watercolor paper, 20 x 26 inches; Courtesy Krakow Witkin Gallery, Boston
Mike Glier (b. 1953), A light breeze through the last of the leaves in November. v.1, 2020; pencil on Arches watercolor paper, 22 ½” x 30"; Courtesy of Krakow Witkin Gallery, Boston
Charles E. Burchfield (1893-1967), Sunshine and Rain, (1946-47); watercolor, white gouache, graphite under-drawing on white wove paper with segment of an embossed papermaker’s stamp (AN) at upper right corner, assembled in five pieces, laid down to a thick sheet of millboard, 42 9/16 x 38 1/16 inches; Private Collectfion
