Bonnie Gordon (b. 1941), Untitled [One Material, One Process, One Picture, One Texture, One Action], n.d.; paint on acrylic polymer medium (size varies with each installation), 99 ½ x 34 inches; Burchfield Penney Art Center, Gift of the artist, 2022
Bonnie Gordon (b. 1941), FIRE-MAN, 1975; cyanotype on paper, 9/30, 13 7/8 x 10 7/8 inches, framed 18 1/4 x 14 ¼ x 1 inches; Burchfield Penney Art Center, Gift of the artist, 2022
Bonnie Gordon (b. 1941), WAVE-MAN, 1975; cyanotype on paper, 5/30, 13 7/8 x 10 7/8 inches, framed 18 1/4 x 14 ¼ x 1 inches; Burchfield Penney Art Center, Gift of the artist, 2022
Bonnie Gordon (b. 1941), About Sight and Light, ca. 1982; Cyanotypes, blue ink on paper, two prints, 9 15/16 x 7 15/16 inches each; Burchfield Penney Art Center, Gift of the artist, 2022
Bonnie Gordon (b. 1941), Dust to Dust, 1979; cyanotype on paper, likely 1 of 30, Image: 5-1/8 x 3-1/8 inches, paper: 13-115/16 x 11-1/16 inches; Burchfield Penney Art Center, Gift of the artist, 2022
Bonnie Gordon (b. 1941), If I answer the question of “Who is the man who appears in the prints?” directly…, n.d.; cyanotype, blue ink on paper, 10 x 8 inches; Burchfield Penney Art Center, Gift of the artist, 2022
Bonnie Gordon (b. 1941), Untitled text about sculpture, n.d.; cyanotype, blue ink on paper, approx. 8 x 10 inches; Burchfield Penney Art Center, Gift of the artist, 2022
Bonnie Gordon (b. 1941), About Blink, n.d.; black ink on paper, 8 ½ x 6 ¼ inches; Burchfield Penney Art Center, Gift of the artist, 2022
Bonnie Gordon (b. 1941), The Anatomy of Proteus. Rochester, NY: Visual Studies Workshop Press, 1982; 10 x 8 inches, project Statement by Tate Shaw, Artist’s copy with notations; Burchfield Penney Art Center, Gift of the artist, 2022
Bonnie Gordon (b. 1941), The Anatomy of The Image Maps. Rochester, NY: Visual Studies Workshop Press, 1982; 10 x 8 inches, project Statement by Tate Shaw, Artist’s copy with notations; Burchfield Penney Art Center, Gift of the artist, 2022