June 15, Thurs.
P.M. – to Gardenville elementary School to show my paintings to and talk to the sixth grade pupils.
Earlier the principal (Miss Marie Marion) had said the pupils, following a visit to see my drawings show at the Goodman Gallery, had expressed a desire to honor my work at their graduation exercises. The plan was to have me pick out six of my “favorite” pictures (3 for each class) the honor pupils were to write their impressions of them, recite them, and then I was to give a little talk. I felt that I could not go through with such a program, so I suggested an alternative – I was to meet the class some afternoon near to graduation time, show them some of my work, talk to them and let them ask questions or make comments. Then, instead of my choosing pictures for them, I suggested I give them the Whitney catalog to look at, and the pupils were to make their own choices. Miss Marion thought this was a good idea.
Even before the event, I began to look forward to it – I have always felt the years of 10 to 12 were the “golden” age of childhood, the time when they are least self-conscious and of easy access. I made up my mind that I would not treat them as children – not “talk down” to them, but show them the same pictures I would to a connoisseur or museum director, and make the same comments.
The event proved to be one of the happiest and most rewarding experiences of my entire career.
I placed out the following paintings:
(In as much as these were all nature themes with seasonal over-tones , I arranged them in a calendar sequence)
First of the honor pupils lined up and recited their appraisals of the pictures that had been chosen as favorites of the class –
(The choices were significant all were nature themes, and Miss Marion said even the ones that failed to get a majority vote were also from nature)
The pictures they chose were:
Dandelion Seed-Balls & Trees (1917)
Cricket Chorus in the Arbor (1917)
The Three Trees (1932-1946)
September Wind & Sunlight (1953)
Moonflowers at Dusk (1952)
Winter Moonlight (1951)
Their descriptions brief and to the point, had been committed to memory, and they delivered them charmingly.
Before showing each picture, I gave a short description of its interpretation & subject matter. The first two evoked no audible responses, although they were quiet and attentive. But when I put up the fantastic “Spring Thunderstorm” a chorus of “Wow,” greeted it, and I knew then the project was “in” – their “Wows” were very sweet to my ears – it happened on several of the others.
My decision to treat them as adults proved a wise one (I had read somewhere that adults always underrate the maturity and intelligence of children.) They asked intelligent questions and made comments that showed they got the message of the work. One little girl, looking at the Spring Thunder-Storm asked “How do you make everything look so alive – as though it were actually there” – unfortunately I could not think of anything to answer this, but I impressed it on her, that I considered her question most complimentary, and she seemed pleased.
On the “Peace of Christmas” one boy made this comment, “The top of the chimney makes you feel that there is a nice warm fire in the stove below” which was exactly what I had intended in my treatment of the chimney top.
Afterwards we set all the paintings up, so they could see them all at once, and examine them more closely.
One child asked for my autograph, which set the whole class off and all asked for one, whether they wanted it or not – However I tried to make it as personal as possible asking each there name.
After the children were dismissed we were asked to join the teaching staff in the lunch-room for tea, which was a very pleasant hour. We left with a warm glow.
Evening to H.J.’s for a snack – Then for a long drive along the Lake Shore Road – A delightful clear evening.
Charles E. Burchfield Journals, June 15, 1961