Laura Kraning’s moving image work navigates landscape as a repository for memory, cultural mythology, and the technological sublime. Exploring absence and the fluidity of time, she evokes liminal spaces of neither past, nor present, but a landscape of the imagination. Laura’s work has screened widely at international film festivals and venues, such as MoMA's Doc Fortnight, the New York Film Festival, Edinburgh International Film Festival, BFI London Film Festival, International Film Festival Rotterdam, Ann Arbor Film Festival, Visions du Réel, National Gallery of Art, Hallwalls Contemporary Arts Center, REDCAT Theater, and Los Angeles Filmforum, among others. She is a recipient of the Princess Grace Foundation John H. Johnson Film Award, the Leon Speakers Award and Jury Awards at the Ann Arbor Film Festival, the Film House Award at the Athens International Film and Video Festival, the 2018 Jury Award for Short Film at the Rencontres Internationales Sciences et Cinémas, a 2019 NYSCA/Wave Farm Media Arts Grant, a 2021 “Geological Anxiety Award” from the Chicago Underground Film Festival, and a 2023 New York State Council for the Arts Support for Artists Grant. Laura currently resides in New York, where she teaches in the Department of Media Study at University of Buffalo.