Paul Sharits (1943-1993)

ALBRIGHT-KNOX ART GALLERY

FILMS AND LECTURES SERIES

IN CONJUNCTION WITH

PAUL SHARITS: DREAM DISPLACEMENT AND OTHER PROJECTS

8:30 p.m. Auditorium

FILMS

The artist will be present at the screenings

Oct. Mon. 4       Razor Blades, 1965-68, color and black and white, stereo sound, 25 minutes,                                                       two-screen projection

                             Ray Gun, 1966, color, sound, 14 minutes

                             Piece Mandala/End War, 1966, color, silent, 5 minutes

                             World Movie/ Fluxfilm 29, 1966, color, sound, 3 ¾ minutes

                             T,O,U,C,H,I,N,G, 196, color, sound, 12 minutes

                             Inferential Current, 1971, color, sound, 8 minutes

Oct. Mon. 11      N:O:T:H:I:N:G, 1968, color, sound, 36 minutes

                            S:TREAM:S:S:ECTION:S:ECTION:S:SECTIONED, 1968-70, color, sound, 42 minutes

Oct. Tues. 12      Analytical Studies I: The Film Frame, 1971-76, color, silent, 30 minutes

                              Axiomatic Granularity, 1972-73, color, sound, 20 minutes

                              Analytical Studies III: Color Frame Passages, 1973-74, color, silent, 30 minutes

Oct. Mon. 18      Apparent Motion, 1975, color, silent, 36 minutes

                             Color Sound Frames, 1974, color, sound, 26 ½ minutes

                              Tails, 1976, color, silent, 4 minutes

LECTURES

Oct. Tues. 5        TONY CONRAD, Artist in residence at The Center for Media Study, State University of                                  New York at Buffalo and at Media Study Buffalo.

                              PAUL SHARITS: PRESCRIPTION AND COLLAPSED TEMPORARILY 

Oct. Thurs. 14    LIZZIE BORDEN, Critic and filmmaker

                             SOME QUESTIONS ABOUT FILM, CONTENT, ART AND SOCIAL STRUCTURE

Oct. Tues. 19      STANDISH LAWDER, Filmmaker and Chairman of the Department of Visual Arts.                                              University of California at San Diego

                               PAUL SHARITS: IMAGE AND ILLUSION

                               These programs were made possible by a grant from the national Endowment for the                                  Arts, Washington, D.C., a Federal agency