August 16, 1939
graphite pencil on unlined paper
9 1/2 x 11 3/8 inches
Burchfield Penney Art Center courtesy of the Charles E. Burchfield Foundation, 2000
fantastic an example of industrial exploration as I have ever seen. I had always felt that Irondale, under a hot August sun, was the last word in desolation, but Byrnedale exceeds it by far. The houses, in grouped rows, in various spots thru [sic] the valley, were all alike – crude frame structures, once painted the usual red, which was old and weathered, of a dirty wine color. A great tree-less hill, its sides bare of grass, and revealing the dry pinkish white clay surface, sprawled along the east. At its base was a long row of abandoned coke-ovens, and part-way up its side extended a railroad in the center of the vast tree-less expanse around which the town was built, was a baseball diamond, with a small grand-stand at one end. This one concession to amusement seemed only to accentuate the isolation. The hot sun beating pitilessly down made the valley seem like an inferno – an inferno whose heart is burnt out, leaving a sterile crater. ; Secretly I rejoiced that there was still a section of country so near me, that was beyond the “blighting” influence of improvement. Or, rather I was torn between conflicting emotions – I pitied the inhabitants, but my artist’s soul rejoiced at what was an artistic perfection in horror.; I purchased some oranges at the general store (a hideous square, dirt-stained cement building) and went on. ; I presently came to a high grassy hill, crooned by a woods. I parked the car, and took my lunch up, and sat in the shade of a tree, with my back to a fallen log. I had a view to the south that extended far to the south, where the overlapping hills ended into a dancing hot blue quivering bands of pale blue under