Charles E. Burchfield (1893-1967), Stormy Day in March, 1917-1955; Graphite, oil, and watercolor on paper laid down to panel, 32 3/4 x 44 3/4 inches; Nelson-Atkins Museum of Art, Gift of Mr. and Mrs. C. Humbert Tinsman Jr. and Mr. and Mrs. James E. C. Tinsman in memory of C. Humbert and Julia Tinsman
The hotel “flooded” with some women’s club convention – the dining hall over-flowing; so we set out to get breakfast outside. Everywhere closed, being “night” spots. Eventually we found a cafeteria at 7th & 51st street
The Jury meeting followed much the same pattern as usual (Zigrosser, Maldarelli, Speicher, Young & myself) – it was good to be back.
Lunches at Forno’s (Spanish Restaurant) both days. These very enjoyable – good food and excellent conversation. (One of the things I like to do in N.Y. is to fill up on raw oysters) –
The second day – somehow we got onto the subject of press-notices and Gene told us about his first notice. He was working as a bundle wrapper for Browning King & Co in Buffalo – he sent a picture to the art gallery where it was exhibited – headline in the paper “Clothing Misfit succeeds in Art” – so I told the remark [name removed] once made about my work “Burchfield is only Hopper on a rainy day”.
The work submitted not very outstanding – my chief concern was for Ed Haber – who eventually came through (Bruce Mitchell & [Letterio] Calapai also applied, but none was even mildly interested in their work).
Evening, dinner at the Weylin, where the “captain” fussed over everybody and made a great to-do about serving etc. He had a pleasant personality.
Then for a short walk, but it was too cold to be out long.
Charles E. Burchfield, Journals, March 10, 1955